Showing posts with label the mayor. Show all posts
Showing posts with label the mayor. Show all posts

Sunday, October 6, 2013

Market Street: White cat, self doubt, bicycle decay

Cat ownership summed up in one sentence.
Before I moved into my current apartment in Somerville earlier this winter, I spent the previous two years living in Cambridge, on a small street called Market Street.  My apartment was not technically within any particular square, but was a roughly 10 minute walk to either Kendall, Central, or Inman Squares.  It was a short enough street that I would often direct cabs to the corner of Broadway & Windsor for convenience's sake.
Windsor Street, at the corner of Broadway, facing towards Central Square.
Windsor Street was my main route to and from the supermarket or whenever I ventured into Central Square.  It's a nice street.  One side consists of your typical lower-to-middle income Cambridge apartment houses/buildings, while public housing ran along the other side of the street. One time I was wearing a Misfits shirt and a young woman hanging out the steps of her project asked me if I was coming from the devil's whorehouse.  

There was one house on Windsor that stood out to me.  For numerous reasons.  I don't remember if it was the reggae music blaring from it or the strong, unmistakable smell of marijuana that first made me turn my head.  The house itself looked unfinished in places, with plywood in place of shingling or whatever it is people make houses out of.  I would eventually notice the phrase "Afreecan" written in permanent marker by the doorway.  I came to know this house by its sounds, smells and appearance before I eventually saw an inhabitant: a older black guy with a big, greying beard and dreadlocks down past his knees.  Usually he'd be standing on the front steps, sort of dancing in place to whatever music was playing.  He was friendly and we'd acknowledge each other as I walked by.  Eventually I would meet another of the residents, a beautiful white cat.
Noble white cat.
I became good friends with this little guy over the couple years I lived on Market Street.  Each time I saw him I'd kneel down and put my hand out for him and soon he got to know me and would meow and come up to me for a pet.  Whenever I walked down Windsor I would hope that he'd be in front of the Afreecan house.  There were times I'd be walking alone at night in the rain, and he'd surprise me by being the only other creature hanging out in the shitty weather.  At the time, I had my own cat at my apartment, The Mayor, but it was nice to be able to run into this guy and spend a couple minutes with him.  I couldn't tell you how much googling I did about white cats and deafness because it made me sad to think that he might be deaf.  My googling was inconclusive; apparently deafness is inherent in white cats with a certain eye color.  This guy's eyes seemed to change color every time I saw him, so I eventually just accepted that he seemed to be doing just fine, deaf or not.
The Mayor (now in the care of my sister and her family since I am not able to have cats).  He is the man and might as well be a dog.  My nephews love him and call him the Friendly Blob.
One day I came across the white cat and he must have gotten in a fight with one of the troublemaking cats because his ear was bandaged.  Now he has one floppy ear, which is pretty adorable as far as battle scars go, but is hopefully the last injury he will have to endure as an outdoor cat in the city.
He liked to sit on top of this stone pillar by the neighbor's property.
Late in the summer of 2012, I was walking down Windsor and as I approached the Afreecan house, I saw the guy sitting on the steps with a friend of his. The cat was sitting by the sidewalk.  I gave him a pet, and the man shouted, "Freedom came back!  She was missing but she came home!  I knew she would." in a thick Haitian accent.  At the time I wasn't sure if he was talking about the cat or if he was making some grander statement about a man and his freedom.  A few weeks later, we had a conversation that gave me a new perspective on the cat, the man himself, and a little insight into myself.

It must've been the early fall because I remember I was wearing one of my button-down longsleeves (my official "summer's over" gear).  I saw the man and the cat on the steps together and I decided that I would tell him how much I liked his cat.  

"Hey, you probably see me walk by here all the time.  I always pet your cat, I really like him," I say.
"That's Freedom!  She is a good cat."

So that explains it.  He named his cat Freedom.  We kept talking.  We shake hands and I introduce myself and he told me his name was Pap (like "Pop").  He asked if I could figure out how to spell it, so I am standing there thinking, "Well, it's probably really straightforward, but then again he's Haitian, so maybe there is some weird French spelling."  I start to guess, "P-A-U-P...." and he says, "Nope!  Try again."  So I say, "P-A-P?"  

"Exactly!  It's just how it sounds."  I told him I don't know why I thought it'd be spelled any other way, and he told me that I got the spelling wrong because I doubted myself and questioned my instincts.  That was pretty apt.  We talked a little more and he said that he came a long way from Haiti a long time ago.  I gave him a little of my own history (ie: I grew up in Massachusetts and now live down the street).  Before we parted ways, Pap told me that I showed courage by approaching Freedom, because doing so enabled me to meet and interact with someone with a personal history completely different from my own (his words).  It was like something out of a movie.  Honestly I will pet pretty much any cat I see, so I don't know about courage, but he makes a good point about how a simple decision to befriend a stranger's cat opened a door that might've otherwise never appeared.  Heather used to joke that the white cat is my spirit animal, and whenever I drive down Windsor Street I always slow down and see if he's out there.  It comforts me when I do get a glimpse of him even though I can only admire him for a few seconds from within the confines of my car.

I watched the (de)evolution of a bike locked to this pole over the course of a year.
Sadly Google maps didn't capture any of it.
I'll end this post with a funny little anectdote about the street post above.  At one point there was a bicycle locked to it by the wheels with a U-Lock.  As time went on, the bicycle remained locked, just with fewer and fewer parts, as tends to happen to neglected bikes in the city (theft is one thing, but I think the glee of snowplow drivers plowing into parked bikes should not be underestimated).  I really wish I had documented the status of the bike over the year or so it remained locked to this post because it would've made an incredible commercial for a bike lock.  It went from a complete bike, to a bike sans seat & handlebars, to a frame and two wheels, to just two wheels, to two tires, and finally to two shriveled inner tubes that remained locked to that post for several months.  Talk about determination.  

I hope you enjoyed reading a little bit about my old neighborhood.  I have a couple ideas for future posts, music and otherwise.  I need to get organized before I hit you guys with my next music post, but I have some interesting ideas that I think people will appreciate.  Also expect an eventual post about my time working overnight security at a garbage hotel in Chinatown.  I kept a journal for much of the time I worked there and there is plenty still fresh in my mind.

Till next time....





Thursday, July 25, 2013

Dag Nasty - Field Day



Dag Nasty is the definitive, if not the first, "melodic hardcore" band.  Similar to the bastardization of other punk subgenres (emo and metalcore for example), the melodic hardcore Dag Nasty pioneered is much different from the agonizingly slow, melodramatic seriouscore bands or the whiny pop crap that make up a bulk of the genre today.  The Allmusic bio of Dag Nasty sums the sound up pretty perfectly: "Although the group was more accessible and melodic than Minor Threat, it never lost its blistering edge."  The band did change over time, however, due in part to the band's going through several singers, but mostly as a result of former Minor Threat guitarist Brian Baker's evolving playing and songwriting style.  Later Dag Nasty can be hit or miss, but deserves attention.

Most Dag Nasty fans point to Can I Say as the band's best and most important LP.  Some favor the sophmore effort Wig Out at Denko's, the first release with Pete Cortner on vocals.  Dag Nasty has a sort of Cro-Mags thing going on, in the sense that each band has groundbreaking debut LPs, the singers bail, and the band carries on.  If Wig Out at Denko's can be viewed as Dag Nasty's Best Wishes, then Field Day could be considered their Alpha-Omega.  There are some absolutely incredible moments on this LP, but the album as a whole suffers from too much experimentation and some incredibly dated sounds (In 1992, the Cro-Mags were messing with funky rap metal; in 1988, Brian Baker led the band through some icky pre-grunge ballads and showcases the cheesy metal noodlings that he would get out of his system with his abysmal Junkyard project.  How much of this influence came from moving the band from DC to LA is a question worth asking.

Despite its flaws, Field Day is the Dag Nasty record I listen to the most, because the good songs are simply damn good.  The songs are a faster mid-tempo, slower than the Can I Say era, but faster than a lot of Wig Out.  The production is very crisp and clear which in this case, works to the band's benefit.  The drums sound great, the guitars are powerful and clear, and the overall mix is excellent.  The vocals sound great, a real step up from Cortner's vocals on Wig Out, which sound very thin.  His singing is on another level here also, he has powerful vocal presence whether he is belting it out or singing softer as he does on the opening track:
Despite the distance, give me trust and I will bring it home to you

At around 1:58 you have that classic Dag Nasty guitar playing, where individual strings are picked and the notes rings out in a truly melodic fashion.  This song is the first of a few that deal with love and infidelity, perhaps most blatantly (and cheesily?) on this next track:
So take your hand and dry my eyes, and if I doubt you know how...remind me too

This is maybe my favorite song on the record.  This is the faster mid-tempo I mentioned earlier, and it really drives this song.  Some might consider the chorus to be pretty cheesy ("If you doubt it, let me remind you, I'm in love with you) but I don't think it's necessarily cheesier than any other song that has the word "love" in it.  The tone of this song is very sincere and since the themes of love and doubt appear throughout the album, it seems like it comes from a real place.  The break halfway through the song is incredible, giving us another one of those ringing out melodic guitar lines as the song builds up to the final chorus.  Also notice the drumroll, very tight and powerful -- the record is punctuated with these.
Leo is dead.  It's not the end of the world.  Sometimes I wish it was.

Probably the most powerful song on the album, "Dear Mrs. Touma" is about death of a young man and the lyrics read as a letter to his mother.  I think it'd be best to post the lyrics in their entirety and then we can get all English class on them.  According to the official Dag Nasty FAQ, the lyrics are true.
Dear Mrs. touma,
I walked upstairs into the kitchen
saw a piece of birthday cake and I heard my mother crying
"dressed in his black raincoat , black hat lying on the yellow line...he was run down..."
Your son was taken
And he spoke so often
with belief
with conviction
never with righteousness
of the day he'd go to heaven
and I will believe
if only for his sake
in father , son , and holy ghost
in whom he was so certain that he'd
turned the other cheek to those who teased and hurt him
Leo is dead
it's not the end of the world
sometimes I wish it was
I wouldn't wish it on anyone
Leo is dead
it's not the end of my world
sometimes I wish it was
sometimes I wish it was
and as for the man across the street
as he expresses sympathy (the fat, aging hypocrite )
spit into his face with me
"when you heard he was gone , you couldn't wait to be the first to seem concerned.
did you think we'd never learn ?
you were lying to us
you laughed at him
you threw upon him your own vices
you lied to us about everything
you lied about your barfly conquests
dying your hair to hide the gray
you're masturbating bitterly on your front porch while the wife's away"
Leo is dead
it's not the end of the world
but sometimes I wish it was

This is one of the best songs I've ever heard that deals with the death of another, the struggle to accept it, and the horrible realization that death does not care to be fair or just.  "I will believe if only for his sake..." is probably my favorite line, as the singer admits that going to heaven is the only way that death doesn't have the last word, even if ultimately he doesn't believe in it for himself.  The second verse describes a stupid asshole of a man, very well one of those whom Leo had turned the other cheek to.  This song makes me think about all the cool people who die while the wicked and horrible survive.  Mr. Rogers dies, Pat Robertson lives.  MCA and Jeff Hanneman die, Bono and Steven Tyler persist.  Why was the man across the street hit by a car instead of Leo?  I regress.  This ranks with the best Dag Nasty songs.
You felt so all alone and so did all of us
Great song about what it means to be an individual, and if you ever really were one.
New year, new start, minutes pass before it's ripped apart
Another song about a troubled relationship.  "One moment past repeated again and again in my mind."  Some Brian Baker fretboard gymnastics towards the end.  

There are a few other good songs, a few sleepers, and a cover of the earlier Dag song "Under Your Influence" that adds a new part, so horrible that you could apply every criticism of this record to that one part.  If you liked what you've heard so far, I've uploaded the record since it is long out of print.  


Before I go I will leave you all with a picture of the back of one of the get well cards my nephews sent me. Thanks for reading, I promise my next post will not take two weeks.
The Mayor, formerly my cat now the king of their house